“Pandemics, Politics, Horror” - Aalya Ahmad
Screened discussion 22 March 2021
“I'll begin by providing some context about possession horror films in general, including how moral panics surrounding film and related media over the last half century have often presented parallels to the phenomenon of occult spirit possession, parallels that many of the most powerful films in this mode have incisively explored and exploited. I’ll then focus more specifically on how two recent Canadian horror films formally and narratively frame possession while discussing their relationship with earlier films whose influences they reflect. The first, Justin Dyck's Anything For Jackson (2020), taps into a “Satanic Panic” supernatural vein, albeit with a dose of irony. The second, Brandon Cronenberg's Possessor (2020), takes a grimly speculative approach to exploring possession in a cinematic narrative that marries revenge tragedy with techno-body horror in the vein of Videodrome (1983) or Tetsuo The Iron-Man (1989.)”
See other screenings below:
Winter 2021 Classes at Monstrum
Pandemics, Possessions, and Other Monstrous Alterities:
Global Horror at the Intersection of Race, Gender, and Class
“The Romani Other in Horror Film”
Alana Conway and Murray Leeder
29 March 2021
“To Form the Possessive: Visual and Narrative Infestation in Possession Horror Films”
Sean Moreland
12 April 2021
“The Horror of Liberalism”
Michael Truscello
19 April 2021
“Demonic Possession or Mental Illness?: A Gender Analysis of the Pakistani Horror Film Siyaah”
Summer Pervez
26 April 2021